Unalaska, AK – A new exhibit at the Museum of the Aleutians features work by local sculptor Karel Machalek. The show includes an array of large and small scale metal sculptures including abstract forms, maps, and human figures. On some pieces wires radiate from complicated metal forms, on others a Christ figure hangs high above the onlookers. Machalek says the pieces are partially inspired by the scraps of metal themselves.

"You know, different types of metals. The more rusted metal it is, the more interesting it gets for me So I actually work with lots of rusted metal, actually repairing the boats," he explains. "So some of these pieces which are coming out of the boats are really rusty. So if you put them in the living room, they look a little different than on the boat."

His art also reflects his location and relationship with the environment. "I think the location of this place radiates out of this show. Because the types of metal, they are rusted by the ocean. And all of these rocks and glass and stuff together yeah, they are created strictly in Unalaska and that's what you have a view of."

Machalek says many of his pieces are actually small prototypes for large, outdoor public sculptures, like the one by the door to the museum. Machalek began sculpting as a teenager in the Czech Republic but became more prolific when he started collaborating with the late Mike Rasmussen in the 1990s. His artwork has evolved since then, in some ways becoming more abstract.

Machalek says many of his changes in style are linked to changes in technology. He can now blast balls through metal and cut lines using a computer. But he says the technology does not disconnect him from his work. "That's just a part of the tool. You have to have a visual picture in your mind of how you want these things to end up. When I'm cutting on a machine, it's already designed in my mind."

Over 100 people attended the opening on Friday. The show also includes a video of the artist at work in his studio. It will remain on display until the spring.